The Fruity Whites Perth, Australia
dog country-rock
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supported by 4 fans who also own “Getting it Together”
Whilst still identifiably the Erasers sound, this album is slightly darker and more cinematic than it's predecessor. One dominant keyboard sound is eerily reminiscent of Vangelis in Bladerunner mode, which lends the album, in particular on a song like 'Heavy Worlds' an eerie, dystopian feel. The percussive elements are slightly more syncopated, but no less metronomic, and that vocal drone and slithers its way through everything like a diffident cry. A beautiful sigh, surrounded by darkness.
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Belaver’s “Trash” builds from hushed verses to a big, booming crescendo of a chorus, with lyrics that praise finding beauty in darkness.
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Dakota Blue Moon
by Jackson Harden
Gorgeous acoustic Americana from North Carolina, stripped-back and sublime.
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Crafting powerful songs about commitment and love, the Nashville singer-songwriter channels and subverts ’70s country and folk tropes.
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Papa Bear Sings Baby Bear a Lullaby in a Bearhouse
by Hige Kuma
Raucous jams from this Austin artist with hooks so immediate, they bury themselves in your brain.
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Tides of a Teardrop
by Watchhouse (formerly Mandolin Orange)
The forthcoming album from Mandolin Orange blends rustic Americana melodies with aching, orchestral arrangements.
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Meet Me at the River
by Dawn Landes
On “Meet Me By the River,” Dawn Landes’s self-described “Nashville record,” buoyant country melodies settle deep into lush instrumentation.
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